{"id":97025,"date":"2021-03-22T13:35:43","date_gmt":"2021-03-22T08:05:43","guid":{"rendered":"https:\/\/blog.forumias.com\/?page_id=97025"},"modified":"2023-10-27T15:07:49","modified_gmt":"2023-10-27T09:37:49","slug":"hindi-syllabus","status":"publish","type":"page","link":"https:\/\/forumias.com\/blog\/upsc-syllabus\/hindi-syllabus\/","title":{"rendered":"Hindi Literature Optional UPSC Syllabus"},"content":{"rendered":"<p><strong>Hindi Optional-Syllabus<\/strong><\/p>\n<h5 style=\"text-align: center;\">PAPER-I<\/h5>\n<p style=\"text-align: center;\"><strong>(Answers must be written in Hindi)<\/strong><br \/>\n<strong>Section A<br \/>\n<\/strong><\/p>\n<p><strong>1. History of Hindi Language and Nagari Lipi<\/strong><br \/>\nI. Grammatical and applied forms of Apbhransh, Awahatta &amp; Arambhik Hindi.<br \/>\nII. Development of Braj and Awadhi as Literary language during medieval period.<br \/>\nIII. Early form of Khari-boli in Siddha-Nath Sahitya, Khusero, Sant Sahitaya, Rahim etc. and<br \/>\nDakhni Hindi.<br \/>\nIV. Development of Khari-boli and Nagari Lipi during 19th Century.<br \/>\nV. Standardisation of Hindi Bhasha &amp; Nagari Lipi.<br \/>\nVI. Development of Hindi as a National Language during freedom movement.<br \/>\nVII. The development of Hindi as a National Language of Union of India.<br \/>\nVIII. Scientific &amp; Technical Development of Hindi Language.<br \/>\nIX. Prominent dialects of Hindi and their inter-relationship.<br \/>\nX. Salient features of Nagari Lipi and the efforts for its reform &amp; Standard form of Hindi.<br \/>\nXI. Grammatical structure of Standard Hindi.<\/p>\n<p style=\"text-align: center;\"><strong>Section B<\/strong><\/p>\n<p><strong>2. History of Hindi Literature<\/strong><br \/>\nI. The relevance and importance of Hindi literature and tradition of writing History of<br \/>\nHindi Literature.<br \/>\nII. Literary trends of the following four periods of history of Hindi Literature.<br \/>\nA : Adikal\u2014Sidh, Nath and Raso Sahitya.<br \/>\nProminent poets\u2014Chandvardai, Khusaro, Hemchandra, Vidyapati.<br \/>\nB : Bhaktikal\u2014Sant Kavyadhara, Sufi Kavyadhara, Krishna Bhaktidhara and Ram<br \/>\nBhaktidhara.<br \/>\nProminent Poets\u2014Kabir, Jayasi, Sur &amp; Tulsi.<br \/>\nC : Ritikal\u2014Ritikavya, Ritibaddhkavya &amp; Riti Mukta Kavya. Prominent Poets\u2014Keshav,<br \/>\nBihari, Padmakar and Ghananand.<br \/>\nD: Adhunik Kal\u2014<br \/>\na. Renaissance, the development of Prose, Bharatendu Mandal.<br \/>\nb. Prominent Writers\u2014Bharatendu, Bal Krishna Bhatt &amp; Pratap Narain Mishra.<br \/>\nc. Prominent trends of modern Hindi Poetry: Chhayavad, Pragativad, Prayogvad, Nai<br \/>\nKavita, Navgeet and Contemporary poetry and Janvadi Kavita.<br \/>\nProminent Poets\u2014Maithili Sharan Gupta, Prasad, Nirala, Mahadevi, Dinkar, Agyeya,<br \/>\nMuktibodh, Nagarjun.<br \/>\n<strong>3. Katha Sahitya<\/strong><br \/>\nB<br \/>\nA : Upanyas &amp; Realism<br \/>\nB : The origin and development of Hindi Novels.<br \/>\nC : ProminentNovelists\u2014Premchand, Jain-endra, Yashpal, Renu and Bhism Sahani.<br \/>\nD : The origin and development of Hindi short story.<br \/>\nE : Prominent Short Story Writers\u2014Premchand, Prasad, Agyeya, Mohan Rakesh &amp; Krishna<br \/>\nSobti.<br \/>\n<strong>4. Drama &amp; Theatre<\/strong><br \/>\nA : The Origin &amp; Development of Hindi Drama.<br \/>\nB : Prominent Dramatists\u2014Bharatendu, Prasad, Jagdish Chandra Mathur, Ram Kumar<br \/>\nVerma, Mohan Rakesh.<br \/>\nC : The development of Hindi Theatre.<br \/>\n<strong>5. Criticism<\/strong><br \/>\nA : The origin and development of Hindi criticism : Saiddhantik, Vyavharik, Pragativadi.<br \/>\nManovishleshanvadi &amp; Nai Alochana.<br \/>\nB : Prominent critics\u2014Ramchandra Shukla, Hajari Prasad Dwivedi, Ram Vilas Sharma &amp;<br \/>\nNagendra.<br \/>\n6. The other form of Hindi prose\u2014Lalit Nibandh,Rekhachitra, Sansmaran, Yatra-vrittant.<\/p>\n<h5 style=\"text-align: center;\">PAPER-II<\/h5>\n<p style=\"text-align: center;\"><strong>(Answers must be written in Hindi)<\/strong><br \/>\nThe paper will require first-hand reading of the prescribed texts and will test the critical<br \/>\nability of the candidates.<\/p>\n<p style=\"text-align: center;\"><strong>Section A<\/strong><\/p>\n<p>1. Kabir : Kabir Granthawali, Ed. Shyam Sundar Das (First hundred Sakhis)<br \/>\n2. Soordas : Bhramar Geetsar, Ed. Ramchandra Shukla (First hundred Padas)<br \/>\n3. Tulsidas : Ramcharit Manas (Sundar Kand) Kavitawali (Uttarkand)<br \/>\n4. Jayasi : Padmawat Ed. Shyam Sundar Das (Sinhal Dwip Khand &amp; Nagmativiyog<br \/>\nKhand)<br \/>\n5. Bihari : Bihari Ratnakar Ed. Jagnnath Prasad Ratnakar (First 100 Dohas)<br \/>\n6. Maithili Sharan : Bharat Bharati<br \/>\nGupta<br \/>\n7. Prasad : Kamayani (Chinta and Shraddha Sarg)<br \/>\n8. Nirala : Rag-Virag, Ed. Ram Vilas Sharma (Ram Ki Shakti Pooja &amp; Kukurmutta)<br \/>\n9. Dinkar : Kurukshetra<br \/>\n10. Agyeya : Angan Ke Par Dwar (Asadhya Veena)<br \/>\n11. Muktiboth : Brahm Rakhashas<br \/>\n12. Nagarjun : Badal Ko Ghirte Dekha Hai, Akal Ke Bad, Harijan Gatha.<\/p>\n<p style=\"text-align: center;\"><strong>Section B<\/strong><\/p>\n<p>1. Bharatendu : Bharat Durdasha<br \/>\n2. Mohan Rakesh : Ashadh Ka Ek Din<br \/>\n3. Ramchandra : Chintamani (Part I) (KavitaKya Shukla Hai, ShraddhaAurBhakti)<br \/>\n4. Dr. Satyendra : Nibandh Nilaya\u2014Bal Krishna Bhatt, Premchand, Gulab Rai, Hajari Prasad<br \/>\nDwivedi, Ram Vilas Sharma, Agyeya, Kuber Nath Rai.<br \/>\n5. Premchand Godan, Premchand ki Sarvashreshtha Kahaniyan, Ed. Amrit<br \/>\nRai\/Manjusha\u2014Prem Chand ki Sarvashreshtha Kahaniyan. Ed. Amrit Rai.<br \/>\n6. Prasad : Skandgupta<br \/>\n7. Yashpal : Divya<br \/>\n8. Phaniswar Nath : Maila Anchal<br \/>\nRenu<br \/>\n9. Mannu Bhandari : Mahabhoj<br \/>\n10. Rajendra Yadav : Ek Dunia Samanantar (All Stories)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hindi Optional-Syllabus PAPER-I (Answers must be written in Hindi) Section A 1. History of Hindi Language and Nagari Lipi I. Grammatical and applied forms of Apbhransh, Awahatta &amp; Arambhik Hindi. II. Development of Braj and Awadhi as Literary language during medieval period. III. Early form of Khari-boli in Siddha-Nath Sahitya, Khusero, Sant Sahitaya, Rahim etc.&hellip; <a class=\"more-link\" href=\"https:\/\/forumias.com\/blog\/upsc-syllabus\/hindi-syllabus\/\">Continue reading <span class=\"screen-reader-text\">Hindi Literature Optional UPSC Syllabus<\/span><\/a><\/p>\n","protected":false},"author":61,"featured_media":0,"parent":50153,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-97025","page","type-page","status-publish","hentry","entry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/pages\/97025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/comments?post=97025"}],"version-history":[{"count":0,"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/pages\/97025\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/pages\/50153"}],"wp:attachment":[{"href":"https:\/\/forumias.com\/blog\/wp-json\/wp\/v2\/media?parent=97025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}