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Daily Quiz: October 9
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- Question 1 of 7
1. Question
1 pointsCategory: HistoryWhich of the following pair(s) is/are incorrectly matched?
Correct
A is not correctly matched because Amir-i-Behr was controller of boats and not incharge of district administration.
Important learning:
- Qazi-ul-Quzat was the supreme authority in justice. Since it was difficult for the emperor to do-away with justice in all the cases, he appointed Qazi-ul-Quzat to do the justice in accordance with Muslim Law.
- Diwan-i-Amir-Kohi is the department of agriculture started by Muhammed Tughlaq
- Mir Bakshi was the head of the military , appointed from among the leading nobles of the court. The Mir Bakshi was in charge of intelligence gathering, and also made recommendations to the emperor for military appointments and promotions
Incorrect
A is not correctly matched because Amir-i-Behr was controller of boats and not incharge of district administration.
Important learning:
- Qazi-ul-Quzat was the supreme authority in justice. Since it was difficult for the emperor to do-away with justice in all the cases, he appointed Qazi-ul-Quzat to do the justice in accordance with Muslim Law.
- Diwan-i-Amir-Kohi is the department of agriculture started by Muhammed Tughlaq
- Mir Bakshi was the head of the military , appointed from among the leading nobles of the court. The Mir Bakshi was in charge of intelligence gathering, and also made recommendations to the emperor for military appointments and promotions
- Question 2 of 7
2. Question
1 pointsCategory: HistoryThe Natya Shashtra is a notable ancient treatise influencing dance, music and literary traditions in India. It is notable for its aesthetic “Rasa theory”.
What does the theory assert?
Correct
It asserts that entertainment is a desired effect of performance arts but not the primary goal, and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness, and reflects on spiritual and moral questions. This is similar to the Sufi’s views on music, chanting and its spiritual potential to connect with the divine.
Incorrect
It asserts that entertainment is a desired effect of performance arts but not the primary goal, and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness, and reflects on spiritual and moral questions. This is similar to the Sufi’s views on music, chanting and its spiritual potential to connect with the divine.
- Question 3 of 7
3. Question
1 pointsCategory: HistoryWhich of the following pair(s) is/are correctly matched?
1. Sarvajanik sabha –M G Ranade
2. Indian National congress- AO Hume3. British Indian assosiation- Dwarkanth Tagore
4. East India association- Dada bhai naoroji
Correct
Organization Year/Place Founder/s:
Landholder’s Society: (1838/Calcutta): Dwarkanath Tagore
British India Society (1839/London): William Adams
Bengal British India Society: (1843/Calcutta):George Thomson
British India Association: (1851/Calcutta):Devendranath Tagore & Radhakant Deb
Madras Native Association: (1852/Madras):
Bombay Association: (1852/Bombay): Dadabhai Naoroji & Dinshaw Wacha
East India Association: (1866/London): Dadabhai Naoroji
London Indian Society: (1865/London): Feroz Shah Mehta, Badruddin Tyyabji, W. C. Banerji and Manmohan Ghosh
Indian National Association: (1867/London): Mary Carpentar
Poona Sarvajanik Sabha: (1867/Poona): M.G. Ranade, G.V. Joshi and Chiplankar
Indian Society: (1872/London): Anand Mohan Bose
India League: (1875/ Calcutta): Sisir Kumar Ghosh
Indian Association: (1876/Calcutta): Anand Mohan Bose and Surendra Nath Banerji
National Conference: (1883): Anand Mohan Bose and Surendra Nath Banerji
Madras Mahajan Sabha: (1884/Madras): M. Viraghavacharya, G. Subramaniya Aiyar and P. Anand Charlu Indian National Union 1884 A.O. HumeIncorrect
Organization Year/Place Founder/s:
Landholder’s Society: (1838/Calcutta): Dwarkanath Tagore
British India Society (1839/London): William Adams
Bengal British India Society: (1843/Calcutta):George Thomson
British India Association: (1851/Calcutta):Devendranath Tagore & Radhakant Deb
Madras Native Association: (1852/Madras):
Bombay Association: (1852/Bombay): Dadabhai Naoroji & Dinshaw Wacha
East India Association: (1866/London): Dadabhai Naoroji
London Indian Society: (1865/London): Feroz Shah Mehta, Badruddin Tyyabji, W. C. Banerji and Manmohan Ghosh
Indian National Association: (1867/London): Mary Carpentar
Poona Sarvajanik Sabha: (1867/Poona): M.G. Ranade, G.V. Joshi and Chiplankar
Indian Society: (1872/London): Anand Mohan Bose
India League: (1875/ Calcutta): Sisir Kumar Ghosh
Indian Association: (1876/Calcutta): Anand Mohan Bose and Surendra Nath Banerji
National Conference: (1883): Anand Mohan Bose and Surendra Nath Banerji
Madras Mahajan Sabha: (1884/Madras): M. Viraghavacharya, G. Subramaniya Aiyar and P. Anand Charlu Indian National Union 1884 A.O. Hume - Question 4 of 7
4. Question
1 pointsCategory: HistoryMatch the following:
PAINTING AREA 1. Pattachitra a. Telagana 2. Nirmal b. Northern Bihar 3. Madhubani c. Odisha Correct
Pattachitra
Pattachitra is a general term for traditional Cloth based Scroll Painting in India, specially in Odisha and West Bengal.
In the Sanskrit language, “Patta” literally means “cloth” and “Chitra” means “picture”. Most of these paintings depict stories of Hindu deities.
The Pattachitra style is mix of both folk and classical elements but leans more towards folk forms while the dress style has Mughal Influence.
Pattachitra style of painting is one of the oldest and most popular art forms of Odisha.
Lord Jagannath in the present form is being taken as the origin of the patta style.
The Subject Matter is mostly mythological, religious stories and folk lores.
Themes are chiefly on Lord Jagannath and Radha-Krishna, The incarnation of Lord Vishnu, Ramayan, Mahabharata etc.
The background on which figures are represented is mostly painted in Red Color and is delineated with decorations of flowers etc.
The whole painting is conceived in the form of a design on a given canvas.
All colours used in the Paintings are natural.Traditionally the painters are known as chitrakars.
About Nirmal painting:
Nirmal Paintings are a popular form of paintings done in Nirmal in Adilabad district, Telangana. They form a small-scale industry in the town.
The craftsmen have formed a community and stay at Nirmal and practice their art in the form of a small-scale business.
The paintings have golden hues.
About madhubani painting:
Madhubani painting originated from Maithili village of the Bihar. Primarily, the womenfolk of the village drew the paintings on the walls of their home, as a demonstration of their feelings, hopes, and ideas.
Later these paintings started becoming a part of festivities and special occasions. Gradually, the Madhubani painting traversed the traditional boundaries and began arriving experts of art, both at the national as well as the international level.
The base of freshly plastered mud wall of huts has now been replaced by cloth, handmade paper, and canvas.
The themes on which these paintings are based include nature and mythological events. It revolves around Hindu deities like Krishna, Lakshmi, Shiva, Durga, Rama, and Saraswati.
The natural themes that are used incorporate the Sun, the Moon, and the religious plants. There are some paintings with themes based on court scenes and social events.
Incorrect
Pattachitra
Pattachitra is a general term for traditional Cloth based Scroll Painting in India, specially in Odisha and West Bengal.
In the Sanskrit language, “Patta” literally means “cloth” and “Chitra” means “picture”. Most of these paintings depict stories of Hindu deities.
The Pattachitra style is mix of both folk and classical elements but leans more towards folk forms while the dress style has Mughal Influence.
Pattachitra style of painting is one of the oldest and most popular art forms of Odisha.
Lord Jagannath in the present form is being taken as the origin of the patta style.
The Subject Matter is mostly mythological, religious stories and folk lores.
Themes are chiefly on Lord Jagannath and Radha-Krishna, The incarnation of Lord Vishnu, Ramayan, Mahabharata etc.
The background on which figures are represented is mostly painted in Red Color and is delineated with decorations of flowers etc.
The whole painting is conceived in the form of a design on a given canvas.
All colours used in the Paintings are natural.Traditionally the painters are known as chitrakars.
About Nirmal painting:
Nirmal Paintings are a popular form of paintings done in Nirmal in Adilabad district, Telangana. They form a small-scale industry in the town.
The craftsmen have formed a community and stay at Nirmal and practice their art in the form of a small-scale business.
The paintings have golden hues.
About madhubani painting:
Madhubani painting originated from Maithili village of the Bihar. Primarily, the womenfolk of the village drew the paintings on the walls of their home, as a demonstration of their feelings, hopes, and ideas.
Later these paintings started becoming a part of festivities and special occasions. Gradually, the Madhubani painting traversed the traditional boundaries and began arriving experts of art, both at the national as well as the international level.
The base of freshly plastered mud wall of huts has now been replaced by cloth, handmade paper, and canvas.
The themes on which these paintings are based include nature and mythological events. It revolves around Hindu deities like Krishna, Lakshmi, Shiva, Durga, Rama, and Saraswati.
The natural themes that are used incorporate the Sun, the Moon, and the religious plants. There are some paintings with themes based on court scenes and social events.
- Question 5 of 7
5. Question
1 pointsCategory: HistoryMatch and select the correct answer using the code given below the lists:
Act Feature A. The Indian Councils Act, 1861 1. Introduction of provincial autonomy B. The Indian councils Act, 1909 2. Introduction of the portfolio system C. The Government of India Act, 1919 3. Introduction of diarchy in provinces D. The Government of India Act, 1935 4. Introduction of separate electorate for the Muslims Codes:
Correct
In Government of India Act 1919 the spheres of the central and provincial governments were demarcated by a division of subjects into “central” and “provincial”. Generally speaking, the central subjects included all subjects directly administered by the Government of India or in which extra-provincial interests were dominant. The provincial subjects included subjects in which the interests of the provinces essentially predominated.
Incorrect
In Government of India Act 1919 the spheres of the central and provincial governments were demarcated by a division of subjects into “central” and “provincial”. Generally speaking, the central subjects included all subjects directly administered by the Government of India or in which extra-provincial interests were dominant. The provincial subjects included subjects in which the interests of the provinces essentially predominated.
- Question 6 of 7
6. Question
1 pointsCategory: HistoryIn the Nagara style of temples,
- Elaborate boundary walls or gateways are usually not constructed.
- The garbhagriha is always located directly under the tallest tower.
Select the correct answer using the codes below.
Correct
- In North India it is common for an entire temple to be built on a stone platform with steps leading up to it.
- Further, unlike in South India it does not usually have elaborate boundary walls or gateways. While the earliest temples had just one tower, or shikhara, later temples had several. The garbhagriha is always located directly under the tallest tower.
- There are many subdivisions of nagara temples depending on the shape of the shikhara
Incorrect
- In North India it is common for an entire temple to be built on a stone platform with steps leading up to it.
- Further, unlike in South India it does not usually have elaborate boundary walls or gateways. While the earliest temples had just one tower, or shikhara, later temples had several. The garbhagriha is always located directly under the tallest tower.
- There are many subdivisions of nagara temples depending on the shape of the shikhara
- Question 7 of 7
7. Question
1 pointsCategory: HistoryWhich of the following pair(s) is/are correctly matched?
Correct
Only c is correctly matched
Tolkapiyyam has classified the region of Sangam age into five geographical landscape
Kurinji- mountainous regions
Mullai – Forests,
Marutam – cropland,
Neytal – seashore,
Palai or desert
Incorrect
Only c is correctly matched
Tolkapiyyam has classified the region of Sangam age into five geographical landscape
Kurinji- mountainous regions
Mullai – Forests,
Marutam – cropland,
Neytal – seashore,
Palai or desert
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